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Mikero
Super Robot
Posts: 11986
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« Reply #2006 on: 24 August 2009, 20:41:52 » |
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I can't remember Reservoir Dogs much and I haven't seen Death Proof, but going quickly I'm gonna have to rank like this;
-Kill Bill -Four Rooms (segment; Penthouse - "The Man from Hollywood") -Jackie Brown -Pulp Fiction -Inglorious Basterds -From Dusk Till Dawn (written, but not directed by)
Inglorious Basterds is #####ing awesome, but I'm not set that it has that ability to make watch it over and over, and it's entirely possible that I'll watch both parts of Kill Bill at any time on any day. Basically, I like his other stuff because it has more pulp and it's more interesting directorally. This one was basically linear and mostly a normal movie. It had less of a thick QT feel, and I feel his other movies have more interesting character mannerisms (especially with throwback dialogue) I think what people mostly like about it is that everyone likes watching Americans kill ratzis (and pretend they were there more than they were, just saying). That gives it an automatic three stars. Then you put Brad Pitt in it and it goes over five. But the movie was really good and awesome and worth lots of praise and all that, I just can't say that it doesn't help that it's about WWII.
Kill Bill is at the top of the list mainly because I've seen it the most, so I know how much I like it. I love the others very much but I don't own them (for some reason) so I'm less familiar, though I watch them whenever I can.
Some people don't like Jackie Brown. Some people say it sucks, or it's bad for a Quentin Tarantino film. They're stupid. Jackie Brown is awesome. I love everything about it, but maybe you need an appreciation for the '70s blaxploitation genre it takes from, which Pam Grier had a lot of roles in. It has great dialogue and all that other wickedness that makes me like his films.
Four Rooms is a great movie that people don't really seem to know about. It's about a bellhop on his last nerve working New Year's Eve at the hotel. Every room's story had a different writer and director, my favourite two being the room by Quentin Tarantino and the room by Robert Rodriguez.
I really want to see the From Dusk till Dawn sequel and prequel.
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Edgecrusher
Super Robot
Posts: 1371
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« Reply #2010 on: 25 August 2009, 23:59:48 » |
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I just got finished watching World's Greatest Dad.
While it wasn't as funny as I was hoping/expecting, it was still an excellent movie. There was an incredibly sharp yet understated social critique at the heart of the film, and the symbolism it used was fantastic.
I'm afraid, however, that it's going to be one of those movies that never receives the kind of recognition it has coming to it.
Interestingly enough, the trailer for it isn't a fair representation of what the movie is about.
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« Last Edit: 26 August 2009, 00:17:22 by Edgecrusher »
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No more pencils, No more books I built a city out' one brick, it had a Mayor and a Crook I made the Crook stab the Mayor, then slay himself in the guilt I stole the brick back and migrated east, now let's build.
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ASR
Super Robot
Posts: 10911
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« Reply #2012 on: 26 August 2009, 00:31:00 » |
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I just got finished watching World's Greatest Dad.
Same. Except I watched it last night before going to bed. I loved it. A great gem that's certainly going to be underlooked. Robin Williams was great, and so was that kid from Spy Kids. It was very fun and very dark, and just like Edge said: the trailers are pretty much making this out to be a completely different movie. I wouldn't have bothered watching if somebody hadn't told me what one of the major plot points is. That enticed me into watching it. Ironically, I would have enjoyed it more if I didn't see that coming. So, I'm not going to spoil it or anything, I'm just saying that there is a genuinely creative and provocative storyline. I mean, I'll put it in spoiler tags, I guess. This is a single sentence that will probably get you to watch it if you're the kind of person who would find this sort of thing appealing. But don't read it if you don't want a big part of the movie spoiled, even if it only happens about a third of the way in. Here: [spoiler]What if your son killing himself somehow made your life a lot better?[/spoiler]
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Edgecrusher
Super Robot
Posts: 1371
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« Reply #2013 on: 26 August 2009, 02:15:31 » |
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More than minor spoilers:
[spoiler]What I really thought was impressive was the way the movie handled all the facets of death. Much like in real life, people who die are quickly absolved of their sins, particularly when those survived by them have some sense of guilt regarding the circumstance. I've always been mystified by that kind of #####, and I felt it was well handled here.
The weight of what he's done so clearly hangs around his neck like some sort of leaden albatross that everything he does almost feels slowed. The fact that he must suffer alone adds to the bitterness, and the risk of exposure never seems entirely out of view.
The irony of the sons death benefiting not just his father but everyone else was delicious. Would the father not have done what he did, his son's life would have remained inconsequential, save for any major personality shifts. This is made that much more Pyrrhic by the fact that his one friendship was a fantastic example of how little something like that really matters so long as you're true to yourself, which ends up being the movies ultimate moral. The symbolic baptism/rebirth scene at the end was pretty poetic as well.
It seriously blows my mind that this was written and directed by Bobcat Goldthwait. I never would have thought he had it in him. [/spoiler]
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No more pencils, No more books I built a city out' one brick, it had a Mayor and a Crook I made the Crook stab the Mayor, then slay himself in the guilt I stole the brick back and migrated east, now let's build.
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ChaosVortex
Super Robot
Posts: 5638
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« Reply #2017 on: 29 August 2009, 02:56:40 » |
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Majikn
Super Robot
Posts: 2357
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« Reply #2040 on: 31 August 2009, 05:43:01 » |
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Also, take this with a grain of salt as I'm dead tired and can;t put my words together well at the moment. I will do that, thanks. Here's why: You just repeated what ASR was saying, which is something I already made a solid point against, and then you added your own little shade of negative bias into the mix, which I just don't care enough to respond to. I have clearly demonstrated that I know what he's talking about and don't need it re-iterated. I chose my words wisely. No you didn't. You said Burton. "Appeal" is inconsequential when you describe it as Burton and apply it to things Burton doesn't apply to. You can't take a pile of assorted fruit and call them apples. You call them fruits. EDIT: Sorry about that last statement I made, if you read it before I cut it. I'm not feeling angry or anything, just kind of mean. A tired, arrogant type of meanness.
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« Last Edit: 31 August 2009, 05:52:00 by Majikn »
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The Exorcist has taught me that when I'm losing an argument I may save face by vomiting on the opposition.
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